This work by Katthy Cavaliere is exhibited in the Thinking Through Pink exhibition at the Wollongong Gallery curated by Dr Sally Gray. Created in 2017 it now evokes to many viewers the link between, body, clothing & fashion in relationship to the environment. Cavaliere’s work is held in significant state galleries as well and many regional galleries. katthycavaliere.com.au   www.wollongongartgallery.com

Making a gesture is more meaningful when you consider the message you are sending. A personal note lets people know that you care

Jeff McCann is a Sydney/Gadigal based creative who works in both the visual and performing arts. His practise is a sustainability-focused approach that includes using second hand materials, repurposing old collateral from previous projects to make new work and/or considering the afterlife of the work he makes. He was inspired by childhood creativity and nostalgia, world building, games and the natural environment. Jeff specialises in community engagement projects, public art, workshops and education, collaborations, illustration, props and fashion. His artistic practice strives to create inclusive works that encourage audience involvement and fun. www.jeffmccann.com.au/fashion

Flowers have been a lifelong passion for Yayoi Kusama, and her exuberant floral sculpture – commissioned especially for the NSW

Nabilah Nordin has been invited as the first Australian artist to feature in ‘NEW POSITIONS’, a platform which provides young artists the opportunity to present bold and ambitious new work as part of the curated section of Art Cologne, the longest-running art fair in the world. Selected by an international jury 'NEW POSITIONS' has premiered some of the most prominent contemporary artists working today.
 For 'NEW POSITIONS', Nordin combines new bronze and mixed media sculptures in concert with idiosyncratic display devices, creating a sprawling tableaux of irreverent sensibility, colour and form. www.nabilahnordin.com

Betsy Baker, Stephen Burstow and Michele French have each played with the idea of the self portrait using the ‘windowness’ of the street windows as the means. You can look through a window, see yourself reflected and in turn reflect on what it means to live there now … or then …140 years ago. Alternatively, you can imagine how we become part of a place while living in a space and how that shapes your looking out into the world. Then again, you can look out a window into that world with great frustration. Helen Wyatt, Baker Tanner Micro Gallery.