ARTIST GERWYN DAVIES combines traditional costume making, studio staging and digital interventions, the human figure is removed from conventional representation and other selves are assembled. Bodies are adorned and choreographed for the lens, their glistening, textured surfaces entice while their hefty costumes distort and conceal. The double bind of a figure both conspicuous and nowhere to be seen, hiding in plain sight, triggers the work’s investment in queering the act of representation and renegotiating the terms of visibility. This age of endless self-imaging, these works explore the potential for self-presentation that emerge on the stage of the digital image. https://www.gerwyndavies.com/

A powerful symbol in Chinese culture. The dragon is considered to be the rainmaker and brings in winds of change. Displaying a dragon in your home will not only energise the house and the family, but it will also bring strength and vitality to everyone who resides there. An Australian designer with Chinese heritage, Chris honed his craft in Europe designing for textile design studios whose clients included the likes of Giorgio Armani & Missoni. A dragon in reds and oranges brings in the 'fire' element to create energy. The fire element represents success and inspiration in feng shui. https://www.chrischun.com/collections/dragon

Ben Jackson, a farmer from the NSW town of Guyra, felt helpless when his much-loved aunt died in Queensland and border closures meant he couldn’t attend her funeral. He came up with a touching way to honour her by getting his flock of sheep to form the shape of a love heart on his farm. The sheep art has struck a chord with Australians who have had to come to terms with saying goodbye from afar as the COVID-19 pandemic keeps families separated. The video was played at Deb Cowdery’s funeral alongside her favourite song, Bridge Over Troubled Water. https://www.instagram.com/p/CS7nqwKhkFV/?utm_source=ig_embed&ig_rid=1d02eff3-abaf-4f93-9486-9a5c379e4e08

Art in vending machines has been popping up all over the world but was first brought to the forefront in 1997 by Clark Whittington, in a small coffee shop in North Carolina. He repurposed a cigarette machine to sell 12 of his photographs, calling it the Art-O-Mat. The owner loved the idea she asked to keep the machine and continue to sell artists' works. This is when the Artists in Cellophane, a collective encouraging art consumption “by combining the worlds of art and commerce in an innovative form”. There are more than 100 Art-O-Mat’s all over the world. https://artpharmacy.com.au/journal/the-art-vending-machine-revolution-dispensing-more-than-just-art

Zoe Brand makes her provocative jewellery from a small village called Majors Creek near Canberra. Her pieces use jewellery archetypes, ready-mades and text to explore the performative nature of jewellery as a device for communication. “I am concerned with finding language that can describe both the object or the idea of the object, as well as the person who might wear the piece”. http://www.zoebrand.work/about

The Opening Ceremony of the Tokyo 2020 Olympic Games got social media talking. A highlight was a group of performers acting out shapes. They became known as the 'pictogram sequence'. Pictograms were first introduced at the 1964 Tokyo Games as a means of transcending language barriers. They were used to represent individual sports, as well as services that would help visitors get around. Designers for the '64 Games revolutionised the idea by creating symbols that could be used non-verbally without confusion. They even helped to create what are now universally used to distinguish between gendered toilets. https://olympics.com/tokyo-2020/en/news/pictogram-dance-sequence-at-olympic-opening-ceremony