Thomas Bayrle, is one of the most prolific
and pioneering German artists of his post-war generation. Since the 1960s he
addresses recurrent themes such as labour, power, economics and religion,
narrating the relationship between individual and collective dynamics in society.
Anticipating the pixel aesthetic in the
digital image-making, Bayrle is famous for his "superforms", complex
patterns constructed from images of people, goods, and machines, that the
artist has interpreted through a wide range of media, from printing techniques
to painting, from sculpture to film.
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